ABRI MARS: Ineffable Manner
featuring works by Stephanie Lucchese, Marija Olšauskaitė, and Martyna Pinkowska
NADA Miami 2025 | Booth A110
Ice Palace Studios, Miami, Florida
02 Dec → 06 Dec 2025

For our inaugural art fair presentation, ABRI MARS is pleased to present Ineffable Manner, a trio exhibition featuring works by Stephanie Lucchese, Marija Olšauskaitė, and Martyna Pinkowska. This body of work focuses on revisiting the physical, rather than verbal, nature of how we experience an emotional state through a range of figurative frameworks and materiality. As external pressures increase our reliance on artificial modes to maintain a precarious sense of balance, these works promote a critical dialogue that alternatively confronts the exploration of raw, somatic sensations.

Tickets to NADA Miami can be purchased → here 


NADA Miami 2025 | ABRI MARS (Booth A110)
Ice Palace Studios, 1400 N Miami Ave,
Miami, Florida

VIP HOURS (by invitation)
Tuesday, Dec 02 | 10am – 4pm
Thursday, Dec 04 | 10am – 11am

PUBLIC HOURS
Tuesday, Dec 02 | 4pm – 7pm
Wednesday, Dec 03 | 11am – 7pm
Thursday, Dec 04 | 11am – 7pm
Friday, Dec 05 | 11am – 7pm
Saturday, Dec 06 | 11am – 6pm

ABOUT THE ARTISTS →

Stephanie Lucchese (b 1991 São Paulo, Brazil, lives and works in Brooklyn, New York) creates paintings of haunting quality with no photographic references, depicting a fictional universe inspired by medieval tapestries, religious art, logical systems of sci-fi, and witchcraft where forms, fruits, plants and figures appear to interact in constant movement, devouring themselves as time remains still. Solo exhibitions include Play, Yehudi Hollander-Pappi, São Paulo, Brazil (2025); Petisco, Projeto Vênus, São Paulo, Brazil (2023). Lucchese participated in group exhibitions internationally, including Supernova 1572, Yehudi Hollander-Pappi, São Paulo, Brazil (2025); Na Ponta da Língua, Espaço Alto, São Paulo, Brazil (2025); A Sense of Place, ABRI MARS, New York, USA (2025); Pathways, Mama Projects, New York, USA (2024); Soft Machine, IRL, New York, USA (2021); GIFC NYC, The Hole, New York, USA (2019), among others. Residencies include SVA Summer Residency, School of Visual Arts, New York, USA (2019). Lucchese's studies include Acompanhamento de Pintura: Painting and Critical Studies with artists Regina Parra and Rodolpho Parigi (2018); Art History Post-grad, Fundação Armando Alvares Penteado (FAAP), São Paulo, Brazil (2018); Bachelor of Fine Arts, Visual Arts, Fundação Armando Alvares Penteado (FAAP), São Paulo, Brazil (2017).

Marija Olšauskaitė (b 1989 Vilnius, Lithuania, where she lives and works) employs various modes of collaboration and explores the themes of relationships, openness, intimacy, and belonging in her sculptural glass works. Selected solo exhibitions include Budinti, ABRI MARS, New York, USA (2025); The Softest Hard, Musée Carré d'Art, Nîmes, France (2024); Never Act in Haste, PM8/Francisco Salas, Vigo, Spain (2024); Sekretas, Grazer Kunstverein, Graz, Austria (2023); Song Sing Soil (with Eglė Budvytytė), Vleeshal, Middelburg, Netherlands (2023); I Want to Stuff My Heart with Moss, Editorial, Vilnius (2022); Witness on our Behalf, Contemporary Art Center, Vilnius, Lithuania (2019); Marija & Petras Olšauskai: Miss Bird, Art in General, New York, USA (2014), among others. Olšauskaitė participated in group exhibitions internationally, including Les frontières sont des Animaux Nocturnes, Le Palais de Tokyo and Kadist, Paris, France (2024); The Milk of Dreams, the 59th International Art Exhibition of La Biennale di Venezia, Venice, Italy (2022); and Suddenly it All Blossoms, RIBOCA2, Riga International Biennial of Contemporary Art, Riga, Latvia (2020); I Walk the Night, PM8/Francisco Salas, Vigo, Spain (2019); Joy and Mirror, Port city, Fourtoseven Gallery, Riga, Latvia (2016), among others. Olšauskaitė studied sculpture at Vilnius Academy of Arts, Vilnius, Lithuania (2011).

Martyna Pinkowska (b 1997, lives and works in Warsaw, Poland) contemplates the transforming of a relationship through the passing of time with exceptional attention to craft and technique. Her paintings and sculptures document the changes that occur in life, alongside the ongoing evolution of her own self, both physically and emotionally. Selected solo exhibitions include Body Against Body, State Gallery of Art, Sopot, Poland (2025); Golden, Galeria Monopol, Warsaw, Poland (2023); Polly Pocket Syndrome, Galeria Serce Człowieka, Warsaw, Poland (2022). Pinkowska participated in group exhibitions internationally, including A Sense of Place, ABRI MARS, New York, USA (2025); Body Against Body, State Gallery of Art, Sopot, Poland (2025); A Small Land of Watery Light, Gallery Vacancy, Shanghai, China (2024); Critical Mass, Oblatów 4, Katowice, Poland (2023); Refugees Welcome, Museum of Modern Art, Warsaw, Poland (2022). among others. Pinkowska studied painting at the Academy of Fine Arts, Katowice,
Poland (2022).

For artwork inquiries, please reach out to inquiry@abrimars.com

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