Philip-Lorca diCorcia is included in a generation of photographers who sought to explore and challenge the boundaries of the medium. Over the past three decades, diCorcia has become known for his meticulously planned and executed photographs involving a variety of individuals in preconceived, yet seemingly random positions and contexts, exploring the tension between the accidental and the fated, the documentary and theatrical, operating in the interstices of fact and fiction. Selected solo exhibitions include David Zwirner (multiple locations internationally); Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; Sprengel Museum, Hannover, Germany; Whitechapel Art Gallery, London, England; Foam Fotografiemuseum, Amsterdam, Netherlands; Institute of Contemporary Art, Boston, Massachusetts; LACMA, Los Angeles, California. Selected collections include The Centre Pompidou, Paris, France; De Pont Museum, Tilburg, Netherlands; LACMA, Los Angeles, California; The Metropolitan Museum of Art, New York, New York; Modern Art Museum of Fort Worth, Fort Worth, Texas; Museo Reina Sofía, Madrid, Spain; MOCA, Los Angeles, California; MoMA, New York, New York; National Gallery of Art, Washington, DC; National Museum of Modern Art, Tokyo, Japan; SFMOMA, San Francisco, Califonia; Solomon R. Guggenheim Museum, New York, New York; Tate, United Kingdom; V&A Museum, London, England; Whitney Museum of American Art, New York, New York. diCorcia’s academic background in photography includes the University of Hartford, Hartford, Connecticut; the School of the Museum of Fine Arts, Boston, Massachusetts; and holds an MFA in Photography from Yale University. Exhibited works by Philip-Lorca diCorcia at ABRI MARS are courtesy of David Zwirner, New York, New York.