Kat Chamberlin explores personal narrative in which she is both subject and material in her practice, examining her own mental agency within the immaterial systems that continuously shape perception. Her deep investment in physical processes such as woodworking, welding, drawing, sculpting, and glasswork move between physical and digital authorship, using each to expose the distortions and gaps in the other. Selected exhibitions include Gift, ABRI MARS, New York (2026); Relics, Show & Tell, Brooklyn, New York (2026); Banshees I & Banshees II, Asya Geisberg, New York (2025); Tulip Mania, Parent Company, New York (2024); Girls+Eggs, James Madison University, Harrisburg, Virginia (2024); Hopscotch, Field of Play, Brooklyn, New York (2023); Drawings by Sculptors, Helena Anrather, New York (2023); Draw, Galerija Umjetnina, Split, Croatia (2022); Dieu Donne, Hesse Flatow East, Hamptons, New York (2021); Under Construction: Transactions, BEVERLY’S, New York (2021); Reorientation, ATP Gallery, New York (2021); A Little Less Conversation, A Little Mort Conversation, Pad Gallery, New York (2019); Here in Spirit, Wick Gallery, Brooklyn, New York (2019); GIFC, The Hole, New York (2019); Night Speech, College of Staten Island Art Gallery, New York (2016); Vox Populi, VOX XI, Material Studies, Philadelphia, Pennsilvania (2015); Without You I'm Nothing, Museum of Contemporary Art, Chicago, Illinois (2011); Into the Uncanny Valley, Gana Art Gallery, New York (2010); Here/Not There, Museum of Contemporary Art, Chicago, Illinois (2009). Residencies include Interlude, Hudson, New York; Parts & Labor, San Antonio, Texas; NARS Foundation, New York. Chamberlin holds an MFA in Performance Art from The School of the Art Institute of Chicago and a BFA in Painting from the University of California, Santa Barbara.