Chavis Mármol centers his practice of contemporary sculpture as a critical, symbolic, and political device, often using humor and sharp political critique to recontextualize icons from pop culture, collective memory, and Latin American visual history. Selected exhibitions include Gift, ABRI MARS, New York (2026); Bar Fantasma, Guadalajara 90210, Guadalajara, Jalisco (2024); Techne, JO-HS, New York (2024); Neotameme, Juan March Foundation Museum, Palma de Mallorca, Spain (2023); The Dark Side of Desire, Nasal Gallery, Mexico City (2023); Dog Doesn’t Eat Dog, Panteón Gallery, Mexico City (2023); Artisan, Museum of Popular Art, Mexico City (2023); The Cavern, Lanao Gallery, Mexico City (2023); Museums in Common, Jumex Museum, Mexico City (2022); Sharpening Knives, Guadalajara 90210 Gallery, Mexico City (2022); The Year of the Bug, Guadalajara 90210 Gallery, Mexico City (2021); 100 Sculptures, Anonymous Gallery, New York (2021); The End of an Era, Casa Wabi, Mexico City (2020); Salón Acme Bodega, Salón ACME, Mexico City (2019); Un Nuevo Y Viejo Mundo, Centro Cultural Gabriel García Márquez, Bogotá, Colombia (2018); Ephemeral, Franqueza Gallery, (2017); Bienal De Arte Universitario UNAM, MUCA UNAM, Mexico City (2016); Two Lines, One Point, Franqueza Gallery (2015); Colusión, Galería Metropolitana, Santiago de Chile, Chile (2014). Selected residencies include Casa Wabi, Oaxaca, Mexico and Cobertizo, Jilotepec, Mexico. Mármol holds a degree in Visual Arts from the Instituto de Artes de la Universidad Autónoma del Estado de Hidalgo (UAEH) and a Master's in Visual Arts from the Universidad Nacional Autónoma de México (UNAM) in Mexico City.